The exciting relation between chance and determination used to be an issue of discussion in the avantgarde music scene of the 60’ties. Composers were “addicted“ to complex structures. An ensured and understandable perception for listeners was not a point of much consideration for them. Complexity was estimated as an ultimate truth for itself, no matter if anyone could grasp what they had notated in their scores. The so-called serialism and aleatoric were the two opposite points of...
